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A Little Bit is Better Than Nada

by Major Sheep on April 2, 2012 at 1:26 pm
Posted In: Blog

20120402-132318.jpg

Pat is puting (putting?) me to shame. He has been for more than a year.

So I’m trying this on for size. A picture and a few words. While they’ll never match the King Sheep’s mountainous pile of weekly posts, I can at least attempt to keep pace. So, the King will have Friday, and I will take Monday, and see if I can’t turn this back into a two-person blog.

Ever wonder why people who love PCs for their customization and freedom hate Android phones when they have that exact same thing in common?

It occurs to me that the entertainment industry doesn’t rely on fear to sell products. Peer pressure in spades, but not fear. Not like the pharmaceuticals, healthcare or news industries. I wonder if it’s because fear is ineffective at marketing entertainment, or if it’s a moral decision?

The makers of the animation program Adobe Flash recently announced they want 9% of profits from companies who use their product to make games. Buying their program is no longer enough. Now they want a piece of the action. I wonder if a future edition will require you to hand over controlling interest in exchange for a product license? Food for thought.

└ Tags: badbastien bunny, Ponderings
1 Comment

Placeholder pt 2

by King Sheep on March 30, 2012 at 7:39 pm
Posted In: Blog, humor, movie reviews, updates

Hello all,

I’m out of town this weekend, so I can’t roundup reviewer ravings about a mediocre mythology sequel (Wrath Of The Titans: Rotten Tomatoes – Metacritic), a sports biopic dramedy (Goon: Rotten Tomatoes – Metacritic), a hot-topic documentary (Bully: Rotten Tomatoes – Metacritic), or a modernized fairy tale (Mirror Mirror: Rotten Tomatoes – Metacritic).  While some may be memorable, most audiences will continue flocking to The Hunger Games.

King Sheep preferred the book

Comments Off on Placeholder pt 2

Day Raid On The Last Deep Sea Games

by King Sheep on March 23, 2012 at 2:10 pm
Posted In: Blog, humor, movie reviews

I don’t know what the title means, but it sounds like good television. On reality TV or YouTube, human emotion has become a spectacle. We watch each other to see the drama of life, complete with success and defeat, love and heartbreak, and will versus power. With the ever-expanding buffet of entertainment options, it is easy to speculate that (one day) the allure of people watching people will morph into people killing people – which is pretty much the premise of The Hunger Games (Rotten Tomatoes – Metacritic).

“What’s remarkable is the lack of cheese. Tacky effects, corny dialogue and creaky performances are all shown the door. We repeat: not the new “Twilight”.” Total Film Matthew Leyland

This franchise-to-be borrowed Twilight’s hype engine and (as with potter-heads, trekkies, and twi-hards), future fans need a nickname. Katkissers doesn’t work, but haters could be mocking slayers. If we choose the catchiest option, fans are Panerds.

“The Hunger Games takes no risks.” Miami Herald Rene Rodriguez

Well, the odds were already in its favor.

“Leaner than “Harry Potter’s” adventures, meaner than the “Twilight” saga, The Hunger Games lives up to its source if not entirely the hype.” Tampa Bay Times Steve Persall

All hype is hyperbole

“The Hunger Games may be derivative, but it is engrossing and at times exciting. Implicitly, it argues that “The Truman Show” might have been improved by Ed Harris lobbing fireballs at Jim Carrey, and it’s now clear what “American Idol” was missing all those years: a crossbow for Simon Cowell.” New York Post Kyle Smith

If we give Simon Cowell a crossbow, he’ll treat the X in the X-Factor as the target, or he’ll use it on himself, as in, American Suic-idol.

“While The Hunger Games stops shy of truly transgressive sci-fi, it succeeds as mildly thought-provoking entertainment that presses all the right buttons on its way to box office supremacy.” T’Cha Dunlevy Montreal Gazette

It’s smart enough to make other action films look dumb.  However, if you want a film that makes other action movies look like rom-coms, you should watch The Raid: Redemption (Rotten Tomatoes – Metacritic).


“American action movies are almost entirely defined by cutaways, blaring music cues and grunts. The Raid: Redemption, a hyper-energetic Indonesian martial arts movie, delivers an effective rebuke to that meek norm. Bones break, blood flows and swift, excessively complicated fight choreography puts virtually everything released in North America since “The Bourne Ultimatum” to instant shame.” indieWIRE Eric Kohn

Does that mean movies that came out before “Bourne,” are put to regular shame?

“This mostly no-nonsense, floor-by-floor ass-kicking panorama is admirably humble.” Slant Magazine Jaime N. Christley

It’s a humble rumble in the urban jungle.

“For now, Evans can take pride in the fact that he’s set the bar for cinemayhem impossibly high.” David Fear Time Out New York

Rollermayhem

“Lean, fast-moving, and filled with game-changing fight sequences that have a brutally beautiful (or beautifully brutal) quality, Gareth Evans’s Indonesian martial-arts film The Raid: Redemption lives up to its viral hype.” Village Voice Ernest Hardy

Uh oh.  More hyper hypebole, except this time it’s beautifully brutal brutality.

“Gareth Evans has delivered one of the most stirring action films in eons with The Raid, a relentlessly brutal and endlessly enjoyable flick that never runs out of inventive ways to kill people.” Simon Miraudo Quickflix

Perhaps human beings will run out of inventive ways to kill each other at 4:44 Last Day On Earth (Rotten Tomatoes – Metacritic).


“The improvised dialogue takes hairpin turns, some less fruitful than others, holding onto just enough traces of structure to sustain the film’s brief length.” The A.V. Club Sam Adams

People use roundabout talking syntax structure?

“An hour into Earth and we’re waiting for the film to end, not just the planet.” USA Today Scott Bowles
–
Movies about end of the world shouldn’t make you impatient for Armageddon.
–
“Your last day – or, as it happens, the whole planet’s last day – will be just like every other one. Mr. Ferrara makes this point with ingenuity and characteristic thrift by using found news footage to provide images of apocalypse.” The New York Times A.O. Scott

It's the end of the world, why not a raise?

“One of Dafoe’s deadbeat friends observes, ”The world’s been ending ever since it started, man,” and you may think the same thing about this movie.” Entertainment Weekly Owen Gleiberman

If you measure time like the Universe does, all living things will spend more time dead than alive.

“The mechanics of the pending cataclysm don’t interest Ferrera so much as the emotional stakes: How do people act when there’s no future left?” Sam Adams AV Club

Answer: Like they’ve got nothing left to lose and might as well jump into The Deep Blue Sea (Rotten Tomatoes – Metacritic).

“Beautifully shot and exquisitely designed, this is a powerfully emotional British drama with a terrific central performance from Rachel Weisz, though it’s also thoroughly depressing and you might need a good stiff drink afterwards.” Matthew Turner ViewLondon

Not during?

“Plumbing disquieting depth, Deep Blue Sea investigates the insoluble dilemma of romantic love: the expectation, contrary to experience, that we can or will find every quality that we want in a single person.” Village Voice Nick Pinkerton

Looking for Mr. Allright

“Rachel Weisz’s stirring performance allows us in the audience to feel her character’s heartbreak.” Harvey S. Karten Compuserve

That’s an impressive cinematic superpower.  Rather than dumping a girl/boy friend, you could just buy them a ticket to this movie.  Same result.

“The Deep Blue Sea is a suffocating movie, and it’s meant to be.” Miami Herald Connie Ogle

Forget dumping people, this movie can commit murder!

“There’s a suffocating air to The Deep Blue Sea that makes it harder to access than other period romances of its kind, but Davies aligns himself wholly with Hester.” The A.V. Club Scott Tobias

King Sheep thinks suffocation in most period romances can be blamed on corsets

└ Tags: 4:44 Last Day On Earth, review roundup, The Deep Blue Sea, The Hunger Games, The Raid
1 Comment

Detached Padre Seeks Jump Home

by King Sheep on March 16, 2012 at 4:06 pm
Posted In: Blog, humor, movie reviews, updates

This weekend’s roundup title sounds like a lost episode of Quantum Leap, which is appropriate given the trend of remaking 80’s dramas into modern comedies, such as Starsky & Hutch, Land Of The Lost, and (now) 21 Jump Street (Rotten Tomatoes – Metacritic).

“We have lots of terminology for what happens when two male stars appear to have the platonic hots for each other. The genre is called bromance. The feelings are bromantic. The orientation is bromosexuality. What Jonah Hill and Channing Tatum have in 21 Jump Street scrambles, transcends, and explodes all of that.” Boston Globe Wesley Morris

A brosplosion?

“This movie embraces everything that should make it lousy, calling out itself for aping the source’s bad ideas then flipping the script with meta precision.” Tampa Bay Times Steve Persall

(insert meta comment here)

“This film is even better if you come in with no spoilers and low expectations.” San Francisco Chronicle Peter Hartlaub

Spoiler alert

“For now, 21 Jump Street is a small puff of fresh air simply because it’s not, like umpteen other releases coming down the pike, based on a comic-book series.” Movieline Stephanie Zacharek

Times have changed when “at least it’s NOT based on a comic” is considered an upside. Perhaps, both expectations and reality are experiencing Detachment (Rotten Tomatoes – Metacritic).

“Comes across like the creation of a precocious student. I don’t mean that to be a damning critique, though Detachment is a mesmerizing misfire — it’s just that it has the uncomplicated earnestness and hyperbolic melodrama of teenage poetry.” Movieline Alison Willmore

Teenage poets struggle to describe the lingering pain of life because their pain is still fresh.

“Movies about teachers are flypaper for overblown armchair crusaderism, and this overbearingly cynical attempt gets my vote for worst offender yet.” Village Voice Mark Holcomb

Head of the class

“People will either love Detachment or hate it, and either way it provides powerful testimony to the unrivaled passion and undiminished craft of director Kaye, whose notoriety in the film industry is matched by his near-total invisibility to the general public.” Salon.com Andrew O’Hehir

A 50% chance of love/hate is better than (Hollywood’s more common) 80% chance of ‘meh.’  Just ask an armchair movie critic like Jeff Who Lives At Home (Rotten Tomatoes – Metacritic).

“Jeff is a surprisingly mutable, ultimately poignant day-in-the-life drama about a slacker who genuinely wants to stand tall.” Village Voice Brian Miller

Segel is already 6′ 4″, how much taller should he stand?

“This film about brothers by brothers (Jay and Mark Duplass) is a gentle yet spunky comedy for anyone looking for a life direction, feeling trapped, or wondering what happened to their youthful idealism. In other words, most of us.” Marsha McCreadie Film Journal International

"Youth is wasted on the young." George Bernard Shaw

“Three funny and likable people not given a chance to be funny or likable.” Stephen Silver The Trend

Uh oh.  If that trend continues, they might go Seeking Justice (Rotten Tomatoes – Metacritic).


“It’s never terrible – just never terribly anything else, either.” Marshall Fine Hollywood & Fine

It sucks at sucking?

“Cage and the always-intense Pearce keep this thing going, but even they seem to know the ultimate destination is a bargain bin.” New York Daily News Elizabeth Weitzman

Make it a combo

“It works well enough, and at the end the makers know that their film invites the audience to have its irony rations and eat them.” Philip French Observer [UK]

And if you believe that irony is the opposite of wrinkly, you should consider taking a trip to Casa De Padre (Rotten Tomatoes – Metacritic).

“A deliberately cheesy movie, but the laughs are missing in action…It’s not that the gags were lost in the translation – they were never there to begin with.” Marshall Fine Hollywood & Fine

Unfeeling drama and unfunny comedies wouldn’t be as bad if they trade adjectives. When a movie straddles two genres, it is blamed for being neither, when it only failed at being easy to categorize.

“A movie of this sort could easily wear out its welcome early. Yet Ferrell and company transform the one joke concept into a surprisingly subtle train of gentle jabs at an entire defunct school of filmmaking.” James Berardinelli ReelViews

Not-so-subtle jab

“Will Ferrell speaks fluent Spanish, but with dialogue like this, what’s the point?” Harvey S. Karten Compuserve

King Sheep no tiene un punto

└ Tags: 21 Jump Street, Casa Di Padre, Detachment, Jeff Who Lives At Home, review roundup, Seeking Justice
2 Comments

Carter’s Friends Fish With Words

by King Sheep on March 9, 2012 at 3:32 pm
Posted In: Blog, humor, movie reviews, updates

Instead of the usual fishing banter of “I got one,” “reel it in,” and “get me another beer,” imagine fishermen (and fisherwomen) replacing bait with directive language. You could summon fish into your boat like you would at a restaurant.  “Hey salmon, quit struggling and give in to death’s warm embrace a.k.a. my stomach.”  This amazing ability to tell fish stories and create them at the same time is reserved for Carter’s friends, which makes you wonder – who is John Carter (Rotten Tomatoes – Metacritic)?


“As film theorist Siegfried Kracauer once wrote, to paraphrase, art often blooms in the most hostile soil. No such luck here.” Slant Magazine Jaime N. Christley

Art didn’t bloom, but it’s hard to blame the soil when it’s Disney.

“John Carter manages to be a ridiculous amount of fun, even if you are immune to the charms of Taylor Kitsch (Friday Night Lights) running around in what amounts to a stylish loincloth.” Miami Herald Connie Ogle

Even if you hate the star, at least he’s in his underwear.

“It is a potpourri of arcane and familiar genres. “Mash-up” doesn’t begin to capture this hectic hybrid; it’s more like a paintball fight. Messy and chaotic, in other words, but also colorful and kind of fun.” The New York Times A.O. Scott

Painting with paint balls

“For all the visual pizzazz and gee-whiz athleticism, it’s a bloated bore.” Frank Swietek One Guy’s Opinion

Perhaps a better approach would have been visual athleticism and gee-whiz pizzazz.

“An oft-confusing, occasionally silly mega-expensive thrill ride that, for sheer audacity, is the biggest thing to come down the cinematic pike since Avatar.” Christopher Lloyd Sarasota Herald-Tribune

Wait!  There’s a cinematic pike somewhere?  In this place, personifications of movies do wacky jumps and tricks to impress each other. Avatar flips around, crazy blue and in-your-face 3D-styling, and the next “biggest thing” is a high school stud in a loincloth?  Let’s wait a little longer, yes?  In the meantime, we could go Salmon Fishing In The Yemen (Rotten Tomatoes – Metacritic).
“With most of the book’s major themes gutted, it begs the question: Who wants to see a film about salmon fishing in the Yemen?” Peter Debruge Variety

Best guess: Salmon fishermen and people who live in Yemen?

“Quirky romance mixes politics, charm; fine for teens.” S. Jhoanna Robledo Common Sense Media

Terse review mixes words, ideas; fine for blurbs.

“Like one of those kitchen machines that can turn nearly any ingredient into ice cream, Lasse Hallstrom has sweetened the satire right out of Paul Torday’s side-splitting political sendup Salmon Fishing in the Yemen.” Variety Peter Debruge

How sweet should it be?

“Alas, none of it, save Kristin Scott Thomas giving a peach of a performance as a political operative, smacks of real life or vitality. Even when it evinces spasms of life, this film is, more or less, a dead fish.” Portland Oregonian Shawn Levy

While the sport is less exciting, catching dead fish is easier and the outcome is the same.

“The science – and the politics – may be dodgy, but director Lasse Hallström crafts a witty, richly textured modern fairy tale that’s an irresistible lure.” Betsy Sherman Boston Phoenix

The world can never have enough irresistible fairy tales, just ask your Friends With Kids (Rotten Tomatoes – Metacritic).
“Even though Friends With Kids is not a movie everyone will identify with, it fills 107 minutes with enough visual popcorn to keep you satisfied.” Rex Reed New York Observer

Would the Pavlovian response to visual popcorn be lip smacking or eyegasms?

“Westfeldt takes a topic full of complex emotional shadings and turns it into something that is, for the most part, reductive, cliched and even sitcommy.” Christy Lemire Associated Press

I love it when critics get word-makey.

“With the foul-mouthed, largely feminine dramedy Friends with Kids, writer/producer/director/star Jennifer Westfeldt is juggling so much, it’s a wonder there aren’t more jokes about balls.” R. Kurt Osenlund Slant Magazine

Why juggle balls when you can juggle things that play with balls?

“Some sign of mental reach would have been welcome, even if it extended only as far as their children. Indeed, given the title, it’s remarkable how little space is granted to the offspring, who are introduced as excretory machines, sex-blocking irritants, and occasional simpering angels, but never as beings unto themselves. Any parents who see this movie should be warned about the final score: Friends 6, Kids 0.” The New Yorker Anthony Lane

So long as it isn’t: Movie $, Audience screwed.

“Although Westfeldt’s sharp screenplay is mostly talk, it’s very good talk.” Boxoffice Magazine Pete Hammond

Good talk is better than bad, but neither are needed when pictures save you A Thousand Words (Rotten Tomatoes – Metacritic).
“In “A Thousand Words” the camera stays about two inches from Murphy’s hyperactive face, and you start to see the strain and desperation in the actor’s eyes.” Michael Phillips Chicago Tribune

To be fair, if a camera hovered 2 inches from your face all day-all night, how long before you showed signs of strain and desperation?

“The poster art for “A Thousand Words” shows Eddie Murphy with duct tape over his mouth, which as a promotional idea ranks right up there with Fred Astaire in leg irons.” Roger Ebert Chicago Sun-Times

Also on the list, armless Arnold, gentle Jackie Chan, and John Holmes in a chastity belt.

“A Thousand Words? I can review this ridiculously bad Eddie Murphy comedy in 500 words.” Dann Gire Daily Herald (IL)

Who needs words?

“The high point of the movie, for me, was when I got up from my seat and walked over to a guy who was texting in the theater and asked him to shut his phone off.” Rene Rodriguez Miami Herald

While I applaud the act, it sounds like the other guy was bored out of his gourd too.

“Every emotion is loudly broadcast, every development repeatedly telegraphed. Kids who can’t keep up with the demanding complexities of Sesame Street will be able to follow this one.” Tasha Robinson AV Club

King Sheep can keep up with the Count until calculus

└ Tags: A Thousand Words, Friends With Kids, John Carter, review roundup, Salmon Fishing In The Yemen
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