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Apprentiception

by King Sheep on July 16, 2010 at 11:35 am
Posted In: Blog, humor, movie reviews, updates

The title sounds like someone just realized they were apprehensive about becoming an apprentice, which isn’t too far off from premise of the latest Bruckheimer mega-budget adaptation of something small into something massive.  First it was a theme park ride, then a video game, and now a non-animated version of the Fantasia short about The Sorcerer’s Apprentice (Rotten Tomatoes – Metacritic).

“The Sorcerer’s Apprentice boils down to “The Karate Kid” meets “Harry Potter,” with maybe a dash of “Ghostbusters” to keep it interesting.” Walter Addiego San Francisco Chronicle

We take those cinema components, throw them in a cauldron, mumble some Latin over the proceedings, and then….someone needs to help me out, I’m not a magician.

“Turteltaub strives to show us realistic-looking magic, without realizing he’d be better off if he acknowledged that there’s no such thing. Instead, we get human figures that emerge “magically” from swarms of cockroaches and sorceresses who dissolve into dust particles right before our eyes. It’s the best CGI money can buy, and who cares?” Movieline Stephanie Zacharek

Movie magic failed to convince you the magic was real.  FYI: Pandora isn’t a real planet, superheros don’t exist, and Harry Potter’s wand is a stick.

“The lively verbal sparring between the good and evil sorcerer-apprentice pairs sustains the movie, but, with a predictable plot, by-the-numbers action-movie jolts and no real sense of wonder, The Sorcerer’s Apprentice is really just a pumpkin.” The Globe and Mail (Toronto) Jennie Punter

This feels like a plot twist somehow.

“A two-hour trailer: explosion, shape-shift, chase, wisecrack, repeat. Its most amazing trick will be how it vanishes from your memory before the seat you vacate has stopped moving.” New York Post Kyle Smith

KaBoom!  (Transform), ———> “Actually, the film’s most amazing trick is vanishing money from your pocket.” KaBoom!  (Transform), ———>

“On the whole, the movie is more Cheez Whiz than wizardly.” Philadelphia Inquirer Carrie Rickey

If Arthur C Clarke was right and “any sufficiently advanced technology is indistinguishable from magic,” then Cheez Whiz might as well have been invented by Merlin.

“Cage gets paid and kisses Monica Bellucci. I burned off 2 hours in Hell. This movie is not for kids, it’s for toddlers.” Victoria Alexander FilmsInReview.com

You’re recommending two hours in Hell for toddlers?  Why do you want to torture our future?

“The magic here feels machine-made and depressingly state-of-the-art.” Variety Justin Chang

Machine-made, state-of-the-art impossibilities are responsible for dazzling the eye with unreal magic, as well as providing the basis for the science fiction dreamscape of Christopher Nolan’s Inception (Rotten Tomatoes – Metacritic).

“Can a blockbuster with a multimillion dollar budget really be this smart, moving and intellectually thrilling? Pinch yourselves, we could still be dreaming.” Film4

Based on that example, critics seem to fall into one of two camps: 1) people who had their heads spun around, leaving them with lots of questions 2) people whose heads are still spinning.

“Nolan blurs the distinction between dreams and reality so artfully that Inception may well be a masterpiece masquerading as a summer blockbuster.” New York Post Lou Lumenick

With such a great ‘hide in plain sight’ disguise, the movie aims to get the commendations and the cash.

“It’s a bold, stunning feature of impossible technical virtuosity. It also has the tendency to be about as emotionally stimulating as a college lecture.” Brian Orndorf Sci-Fi Movie Page

Speaking as a college lecturer, I offer an emotionally-charged “Hey!”

“Inception is the blockbuster we’ve all been thirsting for, a sleek brain-twister that makes the other 2010 mainstream releases look puny, drab and empty-headed in comparison.” Randy Myers Contra Costa Times

An empty-headed competitor says “Hey!”

“In this wildly ingen­ious chess game, grandmaster Nolan plants ideas in our heads that disturb and dazzle. The result is a knockout. But be warned: Inception dreams big. How cool is that?” Rolling Stone Peter Travers

If you like chess and knockouts, consider Chess Boxing

“At first, Inception left me cold, feeling as if I’d just eavesdropped on somebody’s bad acid trip. Now I find I can’t get the film out of my mind, which is really the whole point of it, isn’t it?” Peter HowellToronto Star

So, the film is either a college lecture, a chess match, or an exercise in voyeuristic hallucination. Does anyone else have an amusing metaphor or analogy that could confuse us further?

“Watching Inception is like striking a match and setting your brain on fire.” Joshua Tyler CinemaBlend.com

Sit back, relax, and enjoy the mental pyromania.

“A sublime brain-twister of a movie that plays out so intricately on so many levels simultaneously that a bathroom break comes at your own peril.” Lou Lumenick New York Post

King Sheep is glad movies can’t be converted into 3Pee

└ Tags: Inception, quip art, review roundup, The Sorcerer's Apprentice
7 Comments

Video Plugs

by Major Sheep on July 14, 2010 at 11:08 am
Posted In: Blog, Uncategorized

For everyone whose toy AT-AT was their best friend…

[youtube=http://www.youtube.com/watch?v=-CVYOCMpJRY]

And to show that great special effects aren’t restricted to multi-million dollar budgets.

[youtube=http://www.youtube.com/watch?v=SyoA4LXQco4]

└ Tags: at-at, iron baby, iron man, videos
1 Comment

Scotch and Cinema Composition: American Pie (1999)

by King Sheep on July 13, 2010 at 9:25 am
Posted In: Blog, Uncategorized

If you are a watcher of movies and a drinker of scotch, then you may enjoy this intersection between the two.  This post deals with scotch in the film American Pie.  I post this blog with my good friends over at Guid Scotch Drink and if you’re curious, click HERE.

King Sheep would like a slice of pie.

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Dear Hollywood

by Major Sheep on July 8, 2010 at 11:35 pm
Posted In: Blog, Uncategorized

I’ve been thinking for a long time about a rant toward Hollywood.  Yes, a rant.  It’s not about the perceived morality of their industry, nor about any responsibility they should feel for the brands of entertainment they produce.  This is a purely financial rant.

Hollywood is too fucking expensive.

I love movies.  I love them in an unhealthy, all-consuming, stay-up-late-making-mix-tapes-which-I-leave-anonymously-on-their-front-porch kind of way.  I want to have movies’ babies.  I can watch them over and over without diminished enjoyment.  I watch them when I’m bored, when I need inspiration, when I’m in a great mood, and even when I just want noise in the background while I work.  Movies are my radio.  So do you get that I love movies?  Good.  Moving on.

Displayed eyes-face ratio is accurate.

When I was twelve, I saved $21 and took my Mom, Dad, and three siblings to see Disney’s “The Little Mermaid.”  Now, $21 buys two matinees.  Well, prices rise with time, right?  That’s a fair argument, but then I remember that I could buy a Penguin pocketbook novel for $3.50 in those days.  So why doesn’t a pocketbook cost $10.50 now?

It’s not the theaters.  You’d be wasting your time yelling at the minimum wage ticket-jockey who’s taking your money, because movie theaters don’t make money off of movies.  They make money from $8 sodas (only $8.50 for a Jumbogantic!) and nachos that need a bank loan to purchase.  The studios get the ticket money.

Film entertainment is an industry with unparalleled growth.  Costs and prices have been rising with leaps and bounds since the early Nineties without so much as a hiccup in their momentum.  The reason for Hollywood’s price hike isn’t one simple thing of course, but the solution is.

Smaller paychecks.

A-List actors are raking in around $20 million per flick, and same for big directors.  That number doesn’t even include “personal perks” expenses that some actors require. When a film boasts a budget of $150 million, only about half of that is production costs and the rest is divvied up between the three most important people on the set.  What do they, as a community of laborers, do with that money?  I imagine a good bit goes to the various unions and guilds which lobby to promote entertainment-friendly laws and bureaucratic red tape.  A bunch goes to charities and foundations, and California taxes get a gigantic bite too.

But we don’t really hear about that spending.  We, the public, hear about cars, mansions, hand-painted wallpaper at $3,000 per square yard, imported rain water for washing hair, bling, parties, and divorce settlements with more zeroes than I’ll ever see to the left of a decimal point.  It’s ludicrous.

Worse than the fact that Hollywood is raising prices, is that their output is poorer.  In the Golden Age, it was a movies were like a well-aimed shot.  Now, it’s a blunderbuss with platinum pellets.  The common gripe is that studios have started using special effects and visual kapow to cover up the gaping cavity where writing used to be.  What I see more often is that cavity being filled with bad writing: off-target humor, clumsy dialogue, limped pacing.  Not that all movies need to be written by Shane Black or Chris McQuarrie, but writing should at least be good.
“Quality” should be the key word, but “quantity” is the reigning Hollywood dogma.
Speaking of effects, a little side note about 3D:  stop.  It’s like a film-borne plague.  Everything that’s not nailed down is made in 3D.  Didn’t film it in 3D?  No problem.  We can make it 3D.  We have the technology.  We can make it deeper, cooler, swoosh-ier.  The only thing 3D can’t do is make it worthwhile.  I know that in a market of shrinking theater attendance, this is the gimmick that gets butts in the buckets, but it’s quickly becoming overkill.
I am ridiculously tired of paying exorbitant amounts of money to watch a movie, especially when I can wait 3 months and have Netflix stream it to my living room.  It’s true that some films should be seen on the big screen, but with home theater technology getting better and cheaper, studios are fighting a losing battle against the couch potatoes.

So.

Hollywood.  Dear, sweet Hollywood.

If you don’t apply the handbrake to this inflation bullet train, then I fear yours will be the next bubble to burst.

Love,

Nate

└ Tags: 3D, hollywood, movies, rant
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Despicable Winnebago Predators Are All Right

by King Sheep on July 7, 2010 at 10:28 pm
Posted In: Blog, humor, movie reviews, updates

Something truly remarkable happens this weekend.  It’s not the affection for RV kleptomaniacs implied by the title, it’s the release of multiple movies that don’t suck!  Given the summer 2010 schedule-to-date, American audiences have had to lower their standards – oftentimes substituting “best ever” for “pretty okay.”  And now, audiences have an opportunity to almost get their money’s worth out of a trip to the cinema.  If I owned a movie theater, I’d have my employees hang out behind the screen and throw trash at the audience during the movie.  That way, I could charge everyone double for a true 3D experience.  I know, I know, Despicable Me (Rotten Tomatoes – Metacritic).


“Lo, another 3-D animated kid movie demonstrates that cartoon storytelling pitched to young people is the last, best refuge of sprightly filmmaking this hard, hot summer. “ Lisa Schwarzbaum Entertainment Weekly

Note to Hollywood: Keep making kid’s movies for adults.

“There’s nothing like a little world domination to melt the most dastardly evildoer’s heart. Since villains so often steal the show in animation, Despicable Me smartly turns the whole operation over to megalomaniacal rogue Gru.” Peter Debruge Variety

Once it’s done installing, it melts your motherboard. Microsoft doesn’t like competition.

“The film is a reminder that no single studio has a monopoly on thoughtful animated features. “ Ed Gonzalez Slant Magazine

PIXAR, you just got served…a back-handed compliment.

“You get the feeling that a darker and more clever Despicable Me may have existed at some point before the studio defaulted to the safe side. “ Katey Rich CinemaBlend.com

Fair enough, but if Gru started borrowing from other villain’s playbooks, it wouldn’t take long for him to lose the PG rating.

The Joker’s health care plan offers the best medicine.

“The result is pleasant and diverting, if ultimately forgettable, and it’s one of the rare instances in the recent history of 3-D’s resurrection as The Savior of Cinema in which the technology doesn’t dim the screen or distract the focus.” Robert Wilonsky Village Voice

Horray!  The 3D doesn’t ruin the movie!  Sometimes technology helps, and sometimes it does the other thing, like when pre-internet viral videos get a second helping of public attention and become documentaries, as is the case with Winnebago Man (Rotten Tomatoes – Metacritic).

“A curious young helmer tracks down the profanity-spewing subject of a two-decade-old viral video with results at once scabrously funny and uncomfortably poignant.” Variety Eddie Cockrell

Consider this funny/poignant quote from the apparently legendary video: “I don’t want any more bullshit any time during the day, from anyone.  That includes me.”

“Steinbauer is as significant a character as his subject, and Winnebago Man emerges as a documentary as much about Rebney as the making of the film itself. “ Annlee EllingsonMoving Pictures Magazine

So, it’s a documentary about making a documentary about this amusingly profane YouTube clip:
watch?v=zSWUWPx2VeQ

“This engrossing documentary widens to consider the phenomenon of viral videos and the humiliation they can bring to their sometimes unsuspecting victims.” J. R. Jones Chicago Reader

Would the ‘Leave Brittney alone!” guy or the Star Wars kid agree there’s no such thing as bad publicity?  Or perhaps they keep hoping their 15 minutes are over.

“Don’t laugh TOO hard at those YouTube ‘fools.’ That’s you and me, don’t forget.” Scott Weinberg Cinematical

Fair point, however there are opportunities provided by internet fame.  For example, the Britney boy give himself a Britney buzz for charity or the Star Wars kid could use his fame to market DIY lightsaber-building kits.  Is the Winnebago Man taking advantage of his obvious promotional opportunity?

“The film ends with a semi-touching reaffirmation that everybody’s in showbiz.” Bill WeberSlant Magazine

Sounds like a definite maybe; unlike the definite positive of The Kids Are All Right (Rotten Tomatoes – Metacritic).

“The Kids Are All Right ranks with the most compelling portraits of an American marriage, regardless of sexuality, in film history.” Salon.com Andrew O’Hehir

Another affirmation — It’s inevitably iconic.

“This warm, funny, sexy, smart movie erases the boundaries between specialized ”gay content” and universal ”family content” with such sneaky authority.” Entertainment Weekly Lisa Schwarzbaum

Second success: — It’s the genesis of a new genre: The mainstream gay family dramedy.

“There are not only glancing moments but whole sequences in this movie when the agony of social embarrassment makes you want to haul the characters to their feet and slap them in the chops.” The New Yorker Anthony Lane

Like this?

“The mid-life parenting crisis of a lesbian couple (awesomely played by Julianne Moore and Annette Bening) is the narrative cornerstone for a memorable comedic family drama from writer/director Lisa Cholodenko.” Cole Smithey ColeSmithey.com

Full credit for the summary, notsomuch for the review.

“The self-satire of The Kids Are All Right is so knowing, so rich, so hilarious, so damn healthy that it blows all thoughts of degeneracy out of your head.” New York Magazine David Edelstein

A film that can purge brains of terrible thoughts?  That’s the kind of world domination device that belongs in Despicable Me or the arsenal of the Predators (Rotten Tomatoes – Metacritic).

“While the first Predator movie was a vehicle for its star and the second didn’t make a whole load of sense, Predators foregrounds the action and brooding menace of the bloodthirsty aliens.” Jack Sargeant FILMINK (Australia)

Part one stimulated the Governator’s personal economy, part two was a step sideways instead of forward, and part three lets the man-hunting monsters take center stage.  But, how much world-building can happen when the aliens communicate with roars and shoulder-mounted death canons?

“This is the kind of film you go to expecting gore and shocks; ultimately these two elements, along with the predators themselves, are sadly awol in this latest version.” Beth Wilson Trespass

Don’t expect much critic consensus if the first two reviews disagree over whether the predators are center stage or awol.

“Delivering on its promise, Predators is a moody, unrelenting and attention-grabbing sci-fi thriller, filled with action, splendid visual effects and packed with undulating tension.” Louise Keller Urban Cinefile

The Tacoma Narrows Bridge undergoes uneasy undulation.

“Though Predators isn’t quite as well put together as the original film, nor do the sequences offer the same sustained threat, it’s still enough to get your adrenaline flowing.” Sam BatheFan The Fire

Spider (stunt) man augments average adrenaline.

“While it’s as fresh as the skinned corpses hanging from the trees, the ‘ten little Indians’ set-up never tires and Antal keeps the action brisk and bloody enough to make you forget you’ve seen it all before.” Elliott Noble Sky Movies

King Sheep is addicted to ambitious alliteration.

└ Tags: Despicable Me, Predators, quip art, review roundup, The Kids Are All Right, Winnebago Man
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